DJ Premier (The sun rises in the east, PayDay/FFRR/Polygram, 1994), 'Avalanche' & instrumental, Alps Cru (12" 1997/re-release, The Relevant 2014), 'Ma Benz' Brigitte - cover (Et vous, tu m'aimes?, 3eme Bureau, 2011) & NTM, 'Please officer/Pablo in Moonlight City' 12", Earl Zero/Augustus Pablo (Sufferers Heights, 1979), 'Time is so hard' Barrington Levy, prod. Large Professor (2012), 'The Man I Love' Sarah Vaughan (EmArcy Records 1957), 'The Look of Love' Dusty Springfield (Casino Royale, 1967), 'Keep You Dancing/Can't Stop Jumping' - Bim Sherman/Dub Syndicate - On-U sound 10 " Dub Plate (prod.
Read More, In 1933, Junichiro Tanizaki published "In Praise of Shadows," an essay that recognized “beauty (lay) not in the thing itself, but in the patterns of the shadows, the light and the darkness that one thing against another creates.” The Japanese novelist celebrated what he called an “Oriental” (see Japanese) love for art, architecture that bore the “marks of grime, soot and weather … that call to mind the past that made them.”, Perhaps the mark of genius is the ability to return to the same 'material' and to re-invent it completely. Get a special offer and listen to over 60 … release 1977) & ‘Live at Music Machine’ (Bellaphon, 1979) plus extras, ‘English Rose’ The Jam (All Mod Cons, Polydor, 1978) & ‘Ghosts’ – live, 1982, ‘Slave’ The Rolling Stones (first version with vocals, bootleg) recorded 1975/1980, feat. 144 0 obj <>stream G�Njb�nT�LZ��7z�_'w������˩I�%e�g6 y�EH{�q�|3�x���*`�/o�r�,����C�h��dz=����,�L���A9�����s�(�/����[�!��J��{�&�-*O�e�{_���R�72� ���M ^���$�т�e
Read More, 'All I do is think about you' Tammi Terrell (Tamla, 1966), In a melancholy mood: writing on hip-hop quiet (instrumentals from the 90s), Alternate versions - Chet Baker, 'My Funny Valentine', Live Recordings: Billy Stewart - plus interview and documentary (Versions), “Ghetto Love”/”Stand Up” Bethea The Maskman (B.B.C Records, 1970?)
Daughter, 'Smother' (If You Leave, 4AD, 2013), French radio (aka 'La foule sentimentale'). Antman Wonder (Barrel Brothers, First Generation Rich, Inc, 2014), 'Fièvre' Oddisee (The Beauty in All, MelloMusicGroup, 2013) & Fu-Gee-La instrumental, Live recordings: 'Sunny' James Brown at The Olympia, Paris, 1971, 'I don't wanna lose your love' The Emotions - funky purrfection version (Flowers, CBS, 1976), 'You don't love me (no, no, no) - original (Studio One Rockers, 1967), 'Return to forever' Chick Corea (Return to forever, ECM, 1972) plus live performance, 'Still talking to you' Nujabes (Hydeout Productions, First Collection, 2003), 'Queen Bitch' David Bowie (Hunky Dory, RCA, 1971), The Max Roach Trio featuring the legendary Hasaan, Max Roach and Hasaan Ibn Ali (Atlantic, 1965), Rising Son, Takuya Kuroda (Blue Note, 2014), 'Keep on Running' Stevie Wonder (Music of my mind, Tamla, 1972), 'Karen' The Go-Betweens (Able Label, 1978), 'Into the groovey' Ciccone Youth (The Whitey Album, Enigma/Blast First, 1989), Straight Life, Freddie Hubbard (CTI, 1971), The Elements, Joe Henderson (Milestone, 1974), 'Daybreak' Grand Pianoramax (Till there's nothing left, ObliqSound, 2013), Versions: 'You don't know what love is'/Saxophone Colossus Sonny Rollins (Prestige, 1956), 'Endless' Keith Jarrett Trio (Changeless, ECM, 1987), 'Dig dis' Hank Mobley (Soul Station, Blue Note Records, 1960), 'Ararat Dance' Stefano Battaglia Trio (The river of Anyder, ECM, 2011), 'The prisoner' Gil Scott-Heron (Pieces of a man, Flying Dutchman Records, 1971) plus B.Holiday & D.Ruffin, 'It's no game' parts 1 & 2 David Bowie (Scary Monsters - and Super Creeps, RCA Records, 1980), 'Babe I'm gonna leave you' Barbara Muller (Double Premiere, Quote Records, 1964) plus Tia Blake, Lanquidity, Sun Ra (Philly Jazz, 1978; reissue Evidence, 2000), 'Come clean' & instrumental, Jeru the Damaja, prod. DJ Premier, Brainsick Enterprize - ‘Time to shine/Playin for keeps’ 12” single (United Recordings, 1997) & 'On a Vibe’ in assoc. Black head coaches rarely get a first chance as an NFL head coach, let alone a second one. Grubby Pawz, single (2017) plus mini-interview with Haze, ‘My time to shine’ Guilty Simpson, prod. Frankie Beverly (Capitol Records, 1977) two versions, plus live performance of Raw Soul, 'I want to be with you,' Gregory Andre And Two Plus Three, single (Sea Side/G.M.C. Originally from Melbourne, writer and journalist Madeleine Byrne is now based in Paris, where she writes on culture and politics. Augustus Pablo, 'Africa must be free by 1983', Greensleeves, 1978), 'Jerusalem' Mark Stewart & The Maffia (Learning to cope with cowardice: On-U Sound, 1983), 'Speeding Motorcycle' Daniel Johnston (Yip/Jump Music, 1983), P-p-po po-po muzik (Flamin' Groovies, Divinyls, The Jam, J Dilla etc.
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It could be said that all musicians do this in every concert or show, as do comedians, but what we are thinking about here is not improvisation, but rather two distinct versions of the same song. 0 —Stevie Wonder, “All I Do” Your Amazon Music account is currently associated with a different marketplace.
I love this so much, those first 30 seconds are so pure and beautiful ... it's enough to cheer anyone up on this below-zero, cold winter's day. With a beat so clean, opening everything up like clicking fingers, while also offering such a sweet contrast with all the swooning effects and Tammi Terrell’s stunning delivery.
Terrell’s phrasing is gorgeous, the way she pauses in unexpected ways to offer emphasis, but in a sense just also drawing our attention back to her gift; ‘trying … to find’ and I love the way she stretches the vowels, it’s highly expressive, but perfectly controlled. DJ Premier, 'Werdz'/'Unmentionable' Flying Pupa, from 12" single (Guntez Records, 2000) & Miles Davis 'Sweet Pea', Music for Nine Postcards, Hiroshi Yoshimura (Sound Process, 1982), 'Represent Heart' Farhot (Kabul Fire, vol. ), Donny Hathaway's 'Giving up' (Live at the Astrodome, 1972), 'Ocean' Lou Reed/Velvet Underground - demo versions, 'Kicks' Lou Reed (Coney Island Baby, RCA Victor, 1976) plus Live Recordings, 'Afro-Desia' Lonnie Smith (Groove Merchant International, 1975), 'Arabian dub' - Ali Baba Riddim (John Holt Treasure Isle Records), In a melancholy mood; Hip-hop quiet (Miilkbone 'Keep it real' instrumental, 1995), Faithless, 'Last this day' (To all new arrivals, 2006), Alternate versions: 'Girl I love you' Massive Attack, feat. MC Eiht (187 He Wrote, Jive Records, 1993) plus instrumental, ‘Compton Bomb’ MC Eiht (We Come Strapped, Epic Street Records, 1994)/‘Def Wish 2’ by Compton’s Most Wanted (Epic, 1992)* plus instrumentals, Gravediggaz and more, ‘Streiht Up Menace’ MC Eiht (Menace II Society, soundtrack, Jive Records, 1993) plus instrumental/remix, ‘A Taste of honey’ Doctor Pablo & Dub Syndicate (North of the River Thames, ON-U, 1984) plus P. Desmond, S. Vaughan, C. Baker and others, 'Trigger cut' Pavement (Slanted and Enchanted, Matador, 1992), ‘Why are we in love’ Furniture (When the boom was on, Premonition Records, 1983) & ‘Shadows from nowhere’ Blue Gas, 12” (1983) Theme*, ‘Be True’ Commix (Call to mind, Metalheadz, 2007), ‘Never gonna leave you’ Evans Pyramid (12" Funk Records, 1978, reissue Cultures of Soul, 2012) plus ‘Simply say I love you’ & more, ‘If I Could Only Be Sure’/’Keep On Keepin’ On’ Nolan Porter (Nolan, ABC Records, 1972) plus P. Weller & Joy Division, ‘Our love’ The Edge of Daybreak (Eyes of Love, Bohannan’s Records, 1979 reissue Numero Group, 2015), Ballads for Two, Chet Baker & Wolfgang Lackerschmid (In-akustik/Inak,1986) plus live performance & interview, Blackened Cities, Melanie De Biasio (Play It Again Sam/PIAS, 2016), ‘L’amante religieuse’/’Hysm’ Émile Parisien Quartet (Au revoir porc-épic, Laborie Jazz, 2006), Madchillainy, Sadhugold (original format: digital download via Bandcamp, 2017), Time Machine, Alps Cru (F5 Records, 2017), 'Basquiat x Warhol,' Paranom, Haze, prod. plus J.Holt, “Natty Don’t Go” Cornel/l Campbell, prod. endstream endobj startxref This story updates often.
For more help, follow these steps if you think the IRS owes you a full or partial check (you have to file by Nov. 21) and these tips if you think your check is missing. - Read More, A few weeks ago I had the good fortune to speak with Detroit producer/MC Black Milk who spoke to me on the phone before embarking on the US leg of his tour with the Nat Turner live band. And on Wonder’s version, check out Michael Jackson helping out on backing vocals).
endstream endobj 112 0 obj <> endobj 113 0 obj <> endobj 114 0 obj <>stream There's a problem loading this menu right now. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Sonny Rollins, Versions: ‘(If loving you is wrong) I don’t want to be right’ David Ruffin (David Ruffin, Motown, 1973), ‘I saw you when you met her’ David Ruffin (Me’n Rock’n Roll are here to stay, Tamla Motown, 1974), 'Your song' Billy Paul (360 Degrees of Billy Paul, Philadelphia International Records, 1972) Al Jarreau and more, Antipodean 'Soul music'* - 'Evie' parts 1, 2 & 3, Stevie Wright single (Hard Road, Albert, 1974), ‘City slang’ Sonic's Rendezvous Band – stereo/mono (single, 1978), Live recordings: 'Doo Doo Doo Doo Doo (Heartbreaker)' Rolling Stones, live in London, 1973*, 'Evolution' Roy Ayers Ubiquity (Mystic Voyage, Polydor, 1975), 'Mil Millones' Gotan Project (Tango 3.0, XL Recordings, 2010), 'Memorabilia’ Skyzoo and Torae, prod. 111 0 obj <> endobj Additional taxes may apply. records, 2006), Irene Cara's 'Fame' (& the pop, hip-hop aesthetics of kitsch/camp), Alice Coltrane ... (Paris: November, 2015), (the forgotten masterpiece 2) the unreleased David Ruffin album, 'David' 1971, Super Rare Ol' Dirty Bastard Freestyle 1995 (& hip-hop monstaz), L7 'Lost cause' (the ULTIMATE 3 mins or less), Blue Oyster Cult 'Don't fear the reaper' (1976), Wipers 'Over the edge' (1983)/MBV 'You made me realise' (1988), Dave East 'The Offering'/Black Rose (2014), The Beatnuts - Hydra Beats Vol. 1B�km��u�:K�L%����hIm����!�I����jFU2��^u�������%1EZ�D��l�=�3��P7��jD]�?�vO�^q��q\B������.I���e��M�$ɋ��C���n1f���}\�`��V�K�#�R���,n�,�[� �]T���RMl��������\����6����w�f�Z��.�)�e۔�~E�H��] ��w�%�nqOq�#�x%u�2�K'�S���z���g�����n��e��r��T�r������^ʟ ������!l��G�=h�d�������&�����e�,=��2��_��Z�!7��>[�m#yj5E���� ��-K���&���2y3�m��W��ʨ�^Tt?���>�8���C+�_㋭���)�$��a�ak|�A������>I�n� �H�M��>Ҕ^Z�9MУ�s�����fK��a��^�������n"��wq���^�Mξ��{��ۙxI�խaW]f���0�����~&� U�v^����ϋ�ƅ�n8�'�롊,�5���T�pOR��*����qc�3�1A�?O�������7�&q8@G�,��B$F�%�v�hbI@(Y�oR�Yrz}��t�;�1����͏�
(Stevie Wonder emphasises key words that make sense in terms of the lyrics’ meaning, Terrell emphasises words as if she’s luxuriating over the sounds. Her voice is so pure, it could be an instrument right there in the mix, with her playful personality shining through. h�bbd``b`:$��l ��D4��Ā�J !�H� �2p>{�3012��``�5�1� @� r�! Terrell’s individual style is so strong and so dominant in this song, with all those asides, all the ‘oh baby’ or ‘I’m going to tell you boy’. h�b```f``�����(�����q .��I�%����&���O�L�r�nW�i���ٯ�W��Q9�����00\����v.ma`�*y�y'x��B�Gs�ɣ�]Ȃ(� (�>�4�"N(f`�����(r��fv���n���~����4#�0 �a
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