Paramount's dramas were always edgier and more eccentric than MGM's, and still pack surprises for modern viewers. Young Ray Milland plays a caddish gigolo whose acquisitive plotting is inadvertently revealed to his married lover, and the most sympathetic character is an outright murderer on his way to the gallows. Copyright © 2020 Trustees of Dartmouth College. 2017. CineMaterial is not endorsed, sponsored or affiliated with any movie studio. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. You won't be sorry for giving this a chance! When producers wasn't giving him prestige work anymore. IMDb The script is first-rate - and funny - the direction from one of the great filmmakers of the Golden Age is suitably atmospheric, and there's…, Whoever was responsible for the decision to change the title of Norman Krasna's adaptation of his own intricately structured three-act play from Small Miracle to Four Hours To Kill!, give that man - or woman! She is trying to extort $200 from coat-check kid Eddie, insinuating she is pregnant. Watched Toronto Film Society presented Four Hours to Kill (1935) on Monday, November 25, 1985 in a double bill with A Kiss Before Dying as part of the Season 38 Monday Evening Film Buffs Series “B”, Programme 4. Report this film. Film data from TMDb. Certificate: Passed EQUITY STAGE UNIT TO CUT PRODUCTION: New York Times (Oct 25, 1947: 13. https://en.wikipedia.org/w/index.php?title=Four_Hours_to_Kill!&oldid=958904400, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 May 2020, at 07:14. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Musicals are my favourite film genre. Made by fans in Auckland, New Zealand. Four Hours to Kill!
One from the Grand Hotel (1932) genre. Release: 1935-04-11 Rating: 5 by 2 users Runtime: 70 min. 03,
The film focuses on the relationship between the two men, and also between various characters in the theater audience, staff and cast. A detective who has "four hours to kill" before delivering his prisoner, an escaped killer, spends the time in the lobby of a Broadway theater where a musical is playing. Richard Barthelmess' captured fugitive is hanging around a theatre to kill four hours and his re-escape gets entangled in the web of extortion and infidelity going on amongst the customers and staff. An executive lets an attractive cook talk him into taking a job as butler. The first of these seems a bit melodramatic (and lets its obnoxious adulterer off too lightly), but it's crucial to much of what follows, which is smart, slick, compassionate, moving and even induces a genuine gasp.
Approved | 1h 10min | Drama | 11 April 1935 (USA) A detective who has "four hours to kill" before delivering his prisoner, an escaped killer, spends the time in the lobby of a Broadway theater where a musical is playing. The film focuses on the relationship between the two men, and also between various characters in the theater audience, staff and cast. Four Hours to Kill! Paramount Acquires New York Stage Hit
Some films…. Written by (1935) Further Details. The film focuses on the relationship between the two men, and also between various characters in the theater audience, staff and cast. [4], In 1944 Paramount Pictures announced it would create a new film adaptation of Small Miracle, the play that was the basis of Four Hours to Kill. [3], The New York Times called it "a gripping, although extremely theatrical, melodrama with a neatly dovetailed plot, a uniformly excellent cast and well paceed direction". is a 1935 American drama film directed by Mitchell Leisen and starring Richard Barthelmess. Add the first question. This website uses cookies in order to collect usage information and show advertisements based on your personal preferences. Terrific, ingenious little thriller, adapted by Norman Krasna from his own play, about a vengeful killer (former silent star Richard Barthelmess) spending his last few hours of freedom in a theatre, handcuffed to a cop. These are the films recorded in The Overlook Film Encyclopedia: The Gangster Film (1928-1997). Representing narrative or experimental features and select shorts.
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